Fashion Plates
“She wanted to leave the house dressed like Caroline Lamb going to meet Byron,” said Mitchell Owens, a chronicler of Pauline Fairfax Potter, later the Baroness Phillippe de Rothschild, at a lecture at the New York School of Interior Design.
“And with that long queue de cheval yanked to the right, with the density of a bell pull,” he adds, referring to the hairstyle she invented for herself at 60, when she began to dress like Greta Garbo in Queen Christina, one of her fave-rave heroines.
She is remembered for her sense of decor—at her small apartment at the legendary Albany in London, her Paris flat, and at the Rothschild estate, Mouton, in Bordeaux.
Socialite Deeda Blair recalls Pauline at the opening of a Balanciaga couture show. "There down the row was Pauline de Rothschild, dressed in a Shaker-style skirt of volumes of fabric, a blouse, and that Balenciaga cotton square draped at her neck. It was fascinating to see Pauline catching glimpses of Greta Garbo, by whom she was fascinated, watching the show. Every time Garbo saw one of the outscaled cocktail hats of tulle, lace, or feathers on a model walk by, she leaned back into her chair and roared with laughter. But in the fitting rooms, standing there in her trousers, white shirt, and flat shoes, Garbo was trying on the hats.”
—AndrĂ© Leon Talley